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Industrie-Romantik

Romantik für Industrie-Nomaden

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Industrie-Romantik

The staging of overpowering industry in relation to today's man requires a redefinition of romanticism, which succeeds when today's human being – especially with the background of "German romanticism" – completely shatters the old ideas and embarks on the venture of a new romanticism: trees and branches become metal beams, leaves heavy iron screws, ruined church turn to neo-sacral installations with 21st century materials.

Work cycles

There are corresponding work cycles for the various topics [principles] of NeoSakralen_DEUTSCHEN INDUSTRIE-ROMANTIK:

_Zyklus GERMANIA

„Deutscher Adler II“ [“German Eagle”], 1999/2000

180×170 cm; nine drawers with different materials deal with the development and character of the Germans on three levels.


„Verletzung – Denkmal für die jungen Soldaten“ [“Injury – Monument to the Young Soldiers”], 2018

90x100cm; three black motorcycle hel- mets in Wehrmacht look; Ground anchor;

black ribbed tubes; Adhesive tape in red [stands for injuries of the body], in silver [stands for injuries of the soul] and in gold [stands for violations of the spirit].

During the Second World War, millions of German youth between the ages of 16 and 25 were sent to the fronts – there was no choice. When these young people came back, they were most physically and / or mentally injured.

To call these people criminals at a dis- tance of decades and from the cozy liv- ing room or office room shows arrogance and lack of character, or at least a lack of empathy.

In a broader sense, this work is aimed at commemorating all male and female soldiers of all wars worldwide.

-Zyklus NEO_SAKRAL

„7 Flammen“ [7 Flames”], 2018

30x30x48 cm per flame on a white cube, of which 7 pieces; 360cm at a distance of 25cm; 28 metric screws [20 cm, blue passivated], 7 black cubes and 7 glass bowls, 28 concrete connectors and various profile holders.

Here, the modern industrial roman- tic gets power and inspiration.

_Zyklus NEO_NATUR

Industrie-Baum [“Industrial Tree”], 2018

about 165×92 cm; black cardboard [Kapa] and velcro strips, collapsible and transportable in the Samsonite case, incl. “Fruit sets” of tablet strips in several colors.For industrial romantics and modern nomads for individual and season-independent design of apartment and hotel rooms.


„Hymne an die Schraube“ [“Hymn to the screw “], 2005

20×30 cm; Black glass pane; 2 screws; Plastic bracket;
Instead of flowers: wall decoration for industrial romantics and modern nomads. [not shown]


„Industrie-Mensch“ [“Industry Man”], 2016-2018

Central element: 175x 90 cm; round wooden top, covered with rubber mat; threaded screw; 4 metric screws [20 cm each]: 8 knobs; bandaged head with screws, USB ports and tubes.

7 transmitting stations: wooden discs, covered with rubber mat; yellow insect sponges, each with a screw; 7 tubes [200 cm], in it rubber cords.

Modern man lives under constant influence and is ill.

The 7 transmitting stations visualize this:

  1. Cellular radiation and electro-smog
  2. Bad and degenerate food
  3. Spraying with heavy metals [“Chem-Trails” are not contrails]
  4. Mental poisoning through manipulated news and TV junk
  5. Destruction of health through “medicines” and vaccines
  6. Bureaucratization of everyday life; stress; burn-out
  7. Air pollution

„Durchbruch“ [“Breakthrough”], 2018

30x30x170 cm; 2 briolet bases connected by 4 perforated plates; 4 pommels; 2 limbs hands [wood], bandaged.

The Industrial Romantic breaks through [to the Light or Industrial God etc.].

_freier Zyklus

Serielle Arbeit 8.2 [“Serial Work”], 2006

70×106 cm [distance 5 cm]; 8 black plastic plates; 8 strips with liver oil capsules

Instead of television: for the modern day Industrial romantics.


Bildwerk [“Bildwerk”], 2000

13×46 cm; Copper plate on metal; Square of black cardboard

Romantik für Industrie-Nomaden

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